Ahead of the play’s premiere at Kalaa Utsavam on November 20, Daisy Irani (executive producer and director) and Subin Subaiah (playwright, dramatist, and researcher) talk about why this India-Pakistan Partition story resonates with Singapore and with the wider 21st century world.

“I’m seduced by these dancers and musicians,” says Akram Khan, on his return to stage with GIGENIS

GIGENIS is the highlight show of this year’s Kalaa Utsavam (November 15-24, 2024), the annual Indian festival of performing arts in Singapore, presented by Esplanade – Theatres on the Bay.

I live my acting dream via writing, says Singapore Indian playwright Tanuj Khosla, creator of solo act thriller My Dear Arvind

The remarkable thing about the play is how well Khosla, a male playwright, has captured a woman’s hopes and expectations and disappointments normally associated with a female hand penning the words.

“Stree – The Divine Feminine came about quite by accident”: Bhaskar’s Arts Academy dancer Bala Saravanan Loganathan goes unfiltered

BAA will stage its second production from the CreationLab scheme. Titled Stree – The Divine Feminine, the production is helmed by Bala Saravanan Loganathan. An integral member of the company, Bala directed five of his peers in debut choreographic work.

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